Like many horror fans, Lawrence thinks Lifeforce is “awful”, and I admitted that it’s a guilty pleasure of mine. Yes, that means I’m admitting that the movie isn’t necessarily spectacular, but for reasons I’ll share, I find the film compelling.
When I went to see Tobe Hooper’s Lifeforce I almost walked out before the opening credits. As soon as I realized that it was a Cannon Films and Golan-Globus Productions movie, I knew I should bail. After all, both entities had developed and released a multitude of cheesy, B-movie bombs from Delta Force to Superman IV. (Both companies failed to survive the 1990s.)
Then I saw a couple of things that gave the movie merit: The film was co-written by Alien scribe Dan O’Bannon, with music from the respected Henry Mancini. Furthermore, the man who helped bring special effects to an entirely new level with the original Star Wars franchise, Jon Dykstra, was also the master of effects on this project. Finally, and originally the most important element to me at the time, the movie starred the under-appreciated character actor, Steve Railsback. Therefore, I stayed put and indulged.
Lifeforce is about a UK/USA crew on HMS Churchill, a shuttle following Haley’s Comet. As they approach, they see something gigantic in the comet – a space ship. Of course, they must investigate, and when they do, they unleash an alien presence that could consume the world, starting with the city of London. Based on “The Space Vampires” from Colin Wilson, O’Bannon and Don Jakoby adapted the work. However, Wilson’s book is a total bore. Other than the opening, the remainder of the novel is equivalent to a stage play of two talking heads discussing vampirism. The book had no bite, but at least Hooper and company were set to inject life into the narrative.
Although Lifeforce was a major expense for Cannon Films, and even though Railsback told me that this was the largest production he had ever worked on, the movie has a definite “B” feel. Unlike other movies of that type, John Graysmark was diligent with production design, along with the art department, in helping to create or enhance a multitude of settings: a British shuttle, an alien spacecraft, a church, several offices and other interiors, along with many outdoor shots. Bringing the visuals together is the late, great Alan Hume, who handled cinematography for The Legend of Hell House, The Legacy, and one-hundred more films. The movie also stars several renowned actors, from Frank Finlay and Colin Firth, to future Enterprise captain, Sir Patrick Stewart.
Why do so many people hate this thing? A couple of the visual effects could certainly be better, but for most who’ve discussed it with me, they didn’t care for much of the jumping around (there are many locations and an abundance of characters). Others think the story got out of hand and ultimately came off as silly.
No, I don’t like the film because Mathilda May is walking around naked almost the entire time (she had completely divorced herself from the movie, and from what I understand, you couldn’t even mention Lifeforce in her presence. However, she now seems to have a new appreciation for what became her introduction to feature film.) What I loved about the movie is that it was a fun horror full of action and intrigue. Yes, I immersed myself in the story and went along for the ride. I loved Dykstra’s emaciated vampires, Railsback and Firth made for a great buddy team, Finlay crushed it as Dr. Fallada, and I got to go on a whirlwind ride. Plus, I liked the story overall. Simply put, Lifeforce was an ol’ time matinee blast – a real popcorn movie.
Why should you see it? Because it’s fun, dammit. Plus, for Sir Patrick Stewart fans, you get to see him get his first on-screen kiss – at the lips of Steve Railsback. And if you love the vampire subgenre, the tale is certainly different from the typical fair, so feel free to engage in something far removed from the Transylvania legend.
About ten years ago, I purchased an original, mint condition movie poster of Lifeforce for a mere $15 (US). Sure, I felt like I had made out like a bandit, but then I realized that if the movie had been well received, the price might have been through the roof. Still, it hangs proudly in my dark purple living room in a custom frame that cost almost ten times as much…
4.5 out of 5 stars
(Photo from Billy Crash.)